MA Jasmin Goll

• intersections of music, science, and technology
• listening history
• music, infrastructures, and globalization
• global and transnational history of music
• history of opera staging and contemporary opera staging
• voice studies
• opera and operetta in the Nazi era

• Goll, Jasmin (2025): Disco in der DDR – Erscheinungsformen eines Genres am Beispiel der Fernsehshow Ein Kessel Buntes. In: PopScriptum 13, pp. 1–33, https://doi.org/10.18452/32583
• Goll, Jasmin; Sid Wolters-Tiedge (2024): ‘Vielfalt ist normal:’ Ein Podiumsgespräch zu Inklusion in Musiktheater und Performance mit Isabelle Freymond, Lua Leirner und Nina Mühlemann. In: Schweizer Jahrbuch für Musikwissenschaft 40, pp. 113–120. https://bop.unibe.ch/SJM/article/view/10239/14035
• Goll, Jasmin; Reupke, Daniel (2020): Performen ohne Publikum – verändert eine pandemiebedingte Theaterschließung das Aufführungsnetzwerk? In: Corona-Netzwerke – Gesellschaft im Zeichen des Virus, ed. by Christian Stegbauer, Iris Clemens, Wiesbaden, pp. 209–219.
• Goll, Jasmin (2020): ‘Der Sinn des höheren Gleichnisses.’ Frauenbilder in Richard Strauss‘ Die Frau ohne Schatten und die Rezeption im Nationalsozialismus in Nürnberg“, in: Hitler.Macht.Oper. Propaganda und Musiktheater in Nürnberg 1920–1950, ed. by Silvia Bier, Tobias Reichard, Daniel Reupke, Anno Mungen, Würzburg (Thurnauer Schriften zum Musiktheater, 40), pp. 299–334.
• Contributions to Hitler.Macht.Oper. Propaganda und Musiktheater in Nürnberg. Katalog zur gleichnamigen Ausstellung im Dokumentationszentrum Reichsparteitagsgelände Nürnberg, 15. Juni 2018 bis 3. Februar 2019, ed. by Tobias Reichard, Anno Mungen, Alexander Schmidt, Petersberg.

Presentations

• “Alone Together? Music by Telephone Wires, 1877–1930,” at the symposium Performing Mobile Technologies, Hochschule der Künste, Bern, October 24 to 25, 2025.
• “(Dis)Connected by Wire. Transatlantic entanglements and the failure of music delivery by telephone in the U.S., 1907–1915” at the annual meeting of the Society for the History of Technology (SHOT), Université de Luxembourg, Esch-sur-Alzette, October 9 to 11, 2025.
• “(Dis)Connected by Wire: Liveness and Distance in Late Nineteenth-Century Telephonic Music Listening” at the symposium Télé-Phonies. L’écoute à distance dans les arts et les cultures auditives, organized by IMAGO | Cultures Visuelles at the L’institut national d’histoire de l’art, Paris, October 8 to 9, 2025.
• “Visionary listening? The ‘music telephone’ in the late nineteenth century,” first workshop in the Working Group on “Music Seeing and Music Listening. Historical Reciprocities from the 17th to the 21st Centuries,” Max Planck Institute for the History of Science Berlin, June 26 to 27, 2025.
• “(Dis)Connected by Wire. Music by Telephone Wires as an ‘Audible Infrastructure,’ 1877–1930,” work-in-progress presentation and discussion at the Center for Musical Humanities, University of California, Los Angeles, May 27, 2025.
• “(Dis)Connected by Wire. Music by Telephone Wires as an 'Audible Infrastructure,' 1877–1930” in the Works-in-Progress Series at the Department of Music, New York University, April 24, 2025.
• “Audible infrastructure, liquid notes, and visionary listening: Music by telephone wires, 1877–1930” in the Rough Cut series at the Film and Media Studies Program, Yale University, April 17, 2025.
• “The World's Telephone Concert.’ Music by Telephone Wires as an 'Audible Infrastructure,' 1870–1930” in the Colloquium at the German Historical Institute Washington D.C., February 20, 2025.
• “On the Intersections of Opera, Science, Business, and Utopianism. Opera by Telephone Wire, 1877–1930,” Guest Speaker in the Opera Studies Working Group, Department of Music, Yale University, January 31, 2025.
• “(Dis)Connected by Wire. Music Transmissions via Telephone as an ‘Audible Infrastructure’ in the Late Nineteenth Century” at the Annual Meeting of the American Musicological Society (AMS), Chicago, Illinois, USA, November 14 to 17, 2024.
• “Looking backward and forward: Das Hören telefonischer Musikübertragungen um 1900 und dessen futurographische Potenziale” at the symposium What’s next? The Future(s) of Music Listening and Analysis, Universität Potsdam, Lehrstuhl Musikwissenschaft, September 6, 2024.
• “Experiencing Opera Remotely: Opera Transmissions via Telephone around 1900” at the International Federation for Theater Research Conference (IFTR), Music Theater Working Group Panel, University of Ghana, Accra, July 24 to July 28, 2023.
• “Mediating Opera and Technology. Operatic Transmissions via Telephone in Late-Nineteenth Century Berlin” at the 5^th Transnational Opera Studies Conference (tosc@lisboa.2023), Universidade Nova de Lisboa, Portugal, July 6 to 8, 2023.
• “Telephonic Music Broadcasting as an ‘Audible Infrastructure’ between 1870 and 1930” in the workshop (Dis)Entangled. Reflections on infrastructural concepts, University of Bonn, January 13 to 14, 2023.
• “Musiktheater und Videokunst oder die Bühne als Bluebox – Pierrick Sorins Spiel mit der Wahrnehmung” in the workshop Oper im Wechselspiel der Medien: Transformationsprozesse der Oper durch Digitale Medien und das Filmische/Audio-Visuelle in Zeiten von Krisen und Reformen, Bayerische Akademie der Wissenschaften, Munich, January 17, 2019.
• “Heimchen am Herd, Verführerin oder Weltretterin? Frauenbiographien und Frauenbilder am Nürnberger Stadttheater 1920–1950” at the conference Hitler.Macht.Oper (project at the Research Institute for Music Theater), Staatstheater Nürnberg, June 2 to 4, 2017.

Courses taught in the past